Tube-Tech CL 1B MkII Compressor
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Der beliebteste Gesangskompressor für Pop, Hip-Hop und R&B.
Das von Softube entwickelte Tube-Tech CL 1B MkII Plug-In für UAD Hardware und UA Audio-Interfaces ist ein Update inklusive Erweiterung des in Dänemark hergestellten optischen Kompressors, der von zeitgenössischen Künstlern wie Kanye West, Rihanna, Jennifer Lopez und anderen eingesetzt wird.
Mit zahlreichen Klangverbesserungen und neuen hochauflösenden Grafiken wurde das Tube-Tech CL 1B MkII Plug-In mit Softube's neuester Komponentenmodelling- und Signalverarbeitungstechnologie für eine noch tiefgreifendere Emulation überarbeitet und fängt diesen modernen Klassiker in seinem gesamten Röhrenglanz ein.Mit einer aktualisierten Emulation eines modernen Kompressorklassikers aufnehmen und mischen, der von Tube-Tech Dänemark, uneingeschränkt empfohlen wird.
Transienten verbessern und die Dynamik dank der neuen Regler für Parallel Compression und Sidechain Low Cut erhalten
Dem Gesang eine musikalische Kompression hinzufügen – mit dem gleichen "Go-To"-Kompressor, der auch von Kanye West, Rihanna und Jennifer Lopez bevorzugt wird
Druck und Röhrencharakter auf Drums, Bass, Akustikgitarren und Gesang einstellen
Ein moderner Opto-Kompressor
Der Tube Tech CL 1B ist ein Studiokompressor für eine große Auswahl an Genres und verwendet die klassische, warme Rezeptur der Optokompression – zusätzlich noch modernisiert mit wählbaren Fixed-, Manual- oder Fix/Man Attack- und Release-Settings, was es für unterschiedlichste Quellen universeller macht. Von der zarten und sanften Bearbeitung einer Stimme bis hin zum akzentuierenden Punch und Snap-On von Drums oder Gitarren - der vintage/modern-Ansatz des CL 1B zur Dynamikkontrolle macht ihn zu einem Go-To-Kompressor für den Pop-Adel.
Zusätzliche Vielseitigkeit
Mit dem neuen Parallel Compression-Regler integrierst Du die Kompression ganz einfach in einen Drumloop oder eine Lead-Vocal, während die zusätzliche Low Cut Sidechain-Funktion Deine Quellen druckvoll hält, indem sie das energiereiche Low-End von Deiner Kompressionsschwelle fernhält.
Neue, stylische Grafiken
Zusammen mit dem überarbeiteten Klang und den zusätzlichen Funktionen kannst Du Deinen CL 1B MkII jetzt neu entdecken, mit überwältigend hochauflösenden Grafiken optimieren - besonders auf 4K- oder Ultra-HD-Bildschirmen.
User-Rezensionen
M. Di Lorenzo
5. September 2024
Just like the real... And I have both ¡
Tubetech compressor is an amazing unit, but I just could afford one of them. So I tried the UAD Plugin. It is incredible, I couldn´t notice any difference. The transparency, the...
WeiterK. Osei-Badu
19. August 2024
Cleanest Opto you can get
If you want clean sounding vocals, while being okay with sacrificing the some color, this is the exact plugin your looking for. I use it on almost every vocal plugin chain and I cannot stop...
WeiterD. Gashi
18. Juli 2024
Beast!
This plugin is incredible! It has an amazing sound and I love it. However, I miss having a native version since I work in different studios frequently....
WeiterB. Bradford
14. Juli 2024
Great Sounding Compressor
Luv it!! Great professional sounding and Chris Browns engineer uses it in all of his vocals!
WeiterT. Arantes
11. Juli 2024
Compressor ótimo para os vocais
Consegui imprimir uma sonoridade que já buscava a muito tempo
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Neue, stylische Grafiken
Eine überarbeitete Emulation eines modernen, klassischen Opto-Kompressors, der von Tube-Tech, Dänemark, vollständig authentifiziert wurde.
Ein legendärer Go-To-Gesangskompressor für große Pop-, R&B- und Hip-Hop-Künstler von Kanye bis Jennifer Lopez und vielen anderen.
Mehr Flexibilität durch die neuen Regler Sidechain Low Cut- und Parallel Compression.
Aktualisierte, hochauflösende Grafiken für 4K- und Ultra-HD-Bildschirme
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User-Rezensionen
Tube-Tech CL 1B MkII Compressor
D. Carrasquillo
It deleted from my apollo twin
I bout it like a year ago and it’s not connected I guess to me Apollo twin, it tells me to start a demo even though I bought it.
M. Di Lorenzo
Just like the real... And I have both ¡
Tubetech compressor is an amazing unit, but I just could afford one of them. So I tried the UAD Plugin. It is incredible, I couldn´t notice any difference. The transparency, the gentle compression, the feeling is there. Like the HW unit, it is almost impossible to make something wrong with this plugin. Getting the right amount of compression is incredible easy. It is fixed in my vocal chain and mandatory in my bass when recording, and in almost every track when mixing. Its is one of the best plugins in my UAD collection. Thanks a lot ¡
K. Osei-Badu
Cleanest Opto you can get
If you want clean sounding vocals, while being okay with sacrificing the some color, this is the exact plugin your looking for. I use it on almost every vocal plugin chain and I cannot stop loving it.
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I love this compressor
But no native versuion really sucks
D. Gashi
Beast!
This plugin is incredible! It has an amazing sound and I love it. However, I miss having a native version since I work in different studios frequently.
B. Bradford
Great Sounding Compressor
Luv it!! Great professional sounding and Chris Browns engineer uses it in all of his vocals!
K. Kim
아주 좋은 사운드
저는 LA 2a 보다 CL1b를 더욱 좋아합니다. 증폭없는 사운드가 잘 정돈되는 컴프
T. Arantes
Compressor ótimo para os vocais
Consegui imprimir uma sonoridade que já buscava a muito tempo
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Great Compressor
Excellent Compressor definitely worth the hype
T. McCleary
The taste of the pudding is in the eating
If you are wondering why most successful producers use Tube-Tech CL 1B MkII on vocals, just get it and you will understand immediately
A. Pashka
The single best compressor plugin for vocals
This is my #1 vocal compressor, it’s so open, clear, and rich. If you love the musicality of LA2As on vocals, you should get this. It just has something special.
P. Tshiombo
INCOYABLE
INCOYABLE CETTE PEPITE;
V. SMITH
Amazing!
Big fan of the hardware version, this did not disappoint. Got it just in time for a vocal session and it was all I expected and more.
J. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressor
