UAD Analog Classics Pro Bundle
User-Rezensionen
Analog Classics Pro Bundle
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P. KIng
Best of all worlds.
Have a lot of excellent UAD compressors but this is the best of the bunch and brings its own unique voice. Also has a great range of presets.
B. Hastings
Super Sexy/Versatile
As someone who owns an OG Blackface LA610 this things sounds PERFECT! Creamy, crunchy and perfect for guitars. I love using it as a parallel on almost anything. it can squeeze or it can just smooth it out.
A. Thierry
New era
Absolutely fantastic plugin .. the sound is here a new must go
C. Raines
Review of LA-6176 Signature Channel Strip
My favourite channel strip. I use it on my projects more than Fran's Hot Sauce. I use a lot of Fran's Hot sauce.
F. d'Ersu
Awesome
the drive and warmth of that thing are insanely good !
c. rosario
R&B silky yet Rock harsh
What an amazing plug-in
You Get the best of everything in one
Very intuitive and immediately you hear that 60s and 70s sound
Can’t wait for what’s next from UAD
K. Thura
Good Software Plugin
Good Quality Good Sound
U. Soto
THIS IS AN AMAZING CHANNEL STRIP!
I LUV CHANNEL STRIPS AND THIS ONE IS REALLY GOOD! THE FACT THAT U CAN SWITCH FROM THE 1176 TO LA2A STYLE COMPRESSOR ALL INSIDE THE PLUGIN IS SO GENIUS!!!! DON'T SLEEP ON THIS ONE!
A. Giroux
Limiter
I use often on mandolin tracks
S. Apted
Amazingly accurate.
These plug-ins are insanely accurate, to the point where most people would not know the difference between this plug-in and the real thing. I A physical 1176 and have a beat them and found there to be very little difference. An excellent plug-in that everyone should own.
S. Shin
Great plugin!!
Perfect! I love it!!
L. Sant anna
Amazing Tube FairChild Emulation!
The Fairchild Tube Limiter plugin by Universal Audio is a faithful emulation of the legendary Fairchild 670 tube compressor. It accurately captures the harmonic richness and smoothness of the original, offering exceptional dynamic control. With its intuitive interface, it allows fine adjustments in compression and release. Ideal for mixing and mastering, it provides unparalleled analog warmth and presence, making it indispensable for producers seeking vintage sound quality. In short, it is an essential addition to any professional audio toolkit.
J. Brzeziński
Very close to original
In my work I sometimes use urei 1176, and I would like to say that the software is very close to the original.
E. Guimarães
very good
very good
W. Garder
Another brick in the wall...
Smoothness, quality and care when working with timbres... Another brick in the construction of your sound.
H. KASAI
Surprisingly good.
The presets are useful and varied. Recommended for those who are not familiar with individual plug-ins.
M. ESB86546652
No es nada nuevo
He probado el pluguin y el sonido es exactamente el mundo que si usas un 610 y un 1176 por separado. O un 610 +La2a. Casi todos los usuarios ya tienen esos plugins. El esfuerzo en programación se reduce al diseño porque el sonido y la funcionalidad es un simple refrito
P. Fiore
Suena igual al hardware
probé este software (por el momento no lo compré) Y me sorprendió porque sí escuché de un amigo el hardware original, y es imperceptible la diferencia es una cosa de locos. Increíble complemento en cualquier momento me lo compraré
A. Puron
Recomendado
Increíble como colorea el sonido
E. Dionne
Changed Everything
Before purchasing this, I had only ever used stock compressors, and even then, I had only used them sparingly, as I had never noticed any significant effect apart from limiting. That all changed when I decided to take a chance on this plug-in and see why I had seen "1176" in just about every mixing discussion I'd ever heard or read. The very moment I hit play after throwing this on a vocal track, my entire perspective on compressors changed. The grit and presence I'd been hearing for years on countless records instantly revealed itself to me, and I was floored--absolutely beautiful tone. I have since gone on a deep dive into compressors and eq's, realizing what I had been missing out on for far too long.
I love this tone on my vocals; it fattens up my kick drum; pulls the grinding body of a cello to the forefront; brightens or delightfully swamps up a banjo; and with some more experimental instrumentation, it grabs onto sounds and noises you thought were lost in the recording and throws them back into the mix in a big, haunting way. I absolutely love this set of plugins; it literally made me a better producer by showing me why people call compressors "tone boxes," as the 1176 is all tone, color, and character.