Shadow Hills Mastering Compressor
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Ein außergewöhnlicher und extrem begehrter Kompressor – als UAD Plug-In verfügbar.
Das Shadow Hills Mastering Compressor Plug-In für UAD-2 und Apollo Audio-Interfaces liefert die gesamte Bandbreite von seidigem Touch bis hin zum brutalen Eingriff – ein Standardwerkzeug auf Alben von Muse, Green Day, Gnarls Barkley und vielen anderen. Das Plug-In wurde von Brainworx entwickelt und ist eine absolut präzise Emulation dieser High‑End‑Hardware.
Nur sehr wenige Audio-Hardwares genießen einen so guten Ruf wie der Mastering Compressor von Shadow Hills. Dieser "Riese" auf fünf Höheneinheiten wurde von Audio-Mastermind Peter Reardon entwickelt. Mit seinen beiden seriell verschalteten Dynamikstufen und dem umschaltbaren Ausgangsübertrager dosiert er Dynamik und zähmt Transienten wie kein anderer Kompressor der Audiogeschichte.Jetzt kannst Du:
Mit einer exklusiven und durch Peter Reardon zertifizierten Emulation des legendären Shadow Hills Kompressors mischen und mastern
Nickel-, Eisen- und Stahl-Ausgangsübertrager für eine große Bandbreite an Verzerrungseigenschaften und Transientenbegrenzungen einsetzen
Separate optische und diskrete (VCA) Dynamiksektionen verwenden und damit die Dynamik in zwei seriell verschalteten Stufen kontrollieren
Musikalische Kompression für tieffrequentes Quellmaterial mit der Sidechain-Schaltung bei 90 Hertz erzielen
Drei majestätische
Kompressoren in einemDie Genialität des Shadow Hills Mastering Compressor Plug-Ins liegt in der zweistufigen Art der Dynamikkontrolle – mit einer optischen und einer diskret aufgebauten (VCA) Sektion. Beide Sektionen können gebypassed werden. Dadurch ergeben sich effektiv drei Kompressionsarten (optisch, diskret und die Kombination beider Varianten).
Die optische Sektion ist am meisten vom Programmmaterial abhängig. Mit seinen Parametern Threshold und Gain sowie einer zweistufig schaltbaren Release-Zeit, die eine Verwandtschaft zum klassischen LA-2A aufweist, ist dieser Teil perfekt für ein behutsames Zähmen des Dynamikbereichs geeignet. Die diskrete Sektion übernimmt die Arbeiten an dem Punkt, bei der die optische Kompression endet. Hier findest du eine präzise Steuerung über die Parameter Gain, Threshold, Ratio, Attack und Release.
Umschaltbare Ausgangsübertrager – Nickel, Eisen und Stahl
Die Klangpalette des Shadow Hills Mastering Compressor Plug-Ins wird durch eine einzigartige Matrix mit der Wahl zwischen drei Ausgangsübertragern aus Nickel, Eisen und Stahl enorm erweitert. Durch den Wechsel des Übertragers im Ausgang kannst du einen anderen Frequenzgang, eine veränderte Sättigungscharakteristik und eine jeweils individuelle Limitierung von Transienten einstellen, die von clean (Nickel) über eine typische Färbung (Iron) bis hin zu edlem „Schmutz“ bei der Stahlvariante reicht.
“The Shadow Hills Mastering Compressor plug-in is the ultimate last-stop in a mixing chain. It’s punchy, hi-fi, and has lots of options. ”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“The UAD Shadow Hills Mastering Compressor plug-in sounds incredibly accurate and gives me the tone I need — especially on the drum bus!”
– Dean ColemanUser-Rezensionen
S. Robertson
19. März 2016
Shadow HIlls Plug In Vs Analog Unit
Being someone who owns the Shadow HIlls Mastering Compressor and spent 13kaud on it with its power supply, I can't take it everywhere. I've been extremely impressed by the Plug in and its...
WeiterJ. Dicke
26. Dezember 2015
My most musical dynamics tool
With it´s special compression caracteristics and extraordinary musical behavior the Shadow Hills Compressor is just a gorgeous dynamics tool. Simply perfect wether subtle comp or really...
WeiterC. Dowling
1. Juni 2015
Has been just the ticket...
I'm late to the party with this one, but I'm in agreement with C. Allrich --- a light touch will get one far when employing the plug appropriately. It's been one of the secret weapons I'm...
WeiterM. Fudge
3. April 2015
Subtle Mix Bus Glue
This is not a tool for squashing and smashing stuff. Although I'm sure it can do that (I've never tried yet) what it really shines at is mix bus processing with 1-2dB of gain reduction on...
Weitert. chenpan
24. März 2015
Best UAD plugin!
I bought my UAD apollo just for this plugin..It's AMAZING!!!!
WeiterC. Harris
23. Oktober 2014
Must pay attention to audio image
This compressor can control the audio image in an exciting way. Especially if you pay attention to to the how the threshold and gain controls are opening or closing up the image. Usually...
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Eigenschaften
Exakte Plug-In-Emulation des legendären Shadow Hills Mastering Compressor, lizensiert und unterstützt von Peter Reardon
Von Brainworx exklusiv für die UAD Powered Plug-Ins Plattform gemodelt
Separate optische und diskrete (VCA) Dynamiksektion für serielle zweistufige Dynamiksteuerung
Individuelle Threshold und Makeup Gain Settings für jede Dynamiksektion
Feste Ratio, Attack und Recover Einstellungen innerhalb der Discrete Sektion
Transformer Matrix mit Nickel, Eisen und Stahl Übertragern
90 Hz Sidechain Filtering ermöglicht die musikalische Kompressor tieffrequenter Signalanteile
Große, präzise VU Meter mit den Darstellungsoptionen Optical, Discrete oder Output Gain
Custom Presets von Shadow Hills Gründer und Entwickler Peter Reardon
Benötigt UAD-2 DSP System oder Apollo Interface
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User-Rezensionen
Shadow Hills Mastering Compressor
S. Robertson
Shadow HIlls Plug In Vs Analog Unit
Being someone who owns the Shadow HIlls Mastering Compressor and spent 13kaud on it with its power supply, I can't take it everywhere. I've been extremely impressed by the Plug in and its almost identical. The only slight difference is it lacks the stereo width of the real thing. Like all plug ins though they do their best to recreate harmonic content that a transformer would. Definitely happy with this purchase
J. Dicke
My most musical dynamics tool
With it´s special compression caracteristics and extraordinary musical behavior the Shadow Hills Compressor is just a gorgeous dynamics tool. Simply perfect wether subtle comp or really musical pumping is required on single, prominent instruments and specially for beefing up whole master mixes (e.g. dance music).
C. Dowling
Has been just the ticket...
I'm late to the party with this one, but I'm in agreement with C. Allrich --- a light touch will get one far when employing the plug appropriately. It's been one of the secret weapons I'm using to master an ECM-ish guitar trio album. The clients are very happy and so am I. I can't help but thinking that those that are "confused" by the controls haven't taken five minutes to RTFM and understand the signal flow, etc. Agreed it doesn't completely nail the hardware, but it can still work wonders and provide the right sense of depth and dimensionality and glue that will sweeten many a mix or master.
M. Fudge
Subtle Mix Bus Glue
This is not a tool for squashing and smashing stuff. Although I'm sure it can do that (I've never tried yet) what it really shines at is mix bus processing with 1-2dB of gain reduction on each side. The transformer switching is nice but it is subtle (like the real thing) and you're going to need great monitoring to truly appreciate it. The fact that the DSP load is so low makes it an ideal choice when DSP is being consumed by other effects or users with less than a Quad/Octo.
t. chenpan
Best UAD plugin!
I bought my UAD apollo just for this plugin..It's AMAZING!!!!
A. Cenerini
A shade on the real thing… but still killer.
A friend has the real deal, and I use a Shadow Hills QUAD GAMA on every recording I do, so I am familiar with the manufacturer's products. The plugin lacks much of the character that makes the hardware unit so killer, but is so friendly on DSP resources that I find myself using it a ton regardless… just not in the same way I would use the hardware unit.
B. Busch
Good, not great.
The SHMC didn't blow me away for its intended 2-buss / mastering use. IMHO, this is the least impressive model of the real thing in the UA catalog.
HOWEVER, I did buy it, and after using it a while now on other things, this plug is pretty good in its own right, and I'm finding it more useful to shape and color individual busses and tracks than to use across a whole mix or for mastering. Its a unique compressor, and the Trans options are great for giving different subtle textures to individual tracks.
- 1 star for not being the best emulation. - 1 star for no dig only features like control link or ability to switch the signal path order of the compressors. (I often like fast before slow) And where's Brainworx's signature MS feature??C. Harris
Must pay attention to audio image
This compressor can control the audio image in an exciting way. Especially if you pay attention to to the how the threshold and gain controls are opening or closing up the image. Usually use this before or after the SSL or 33609 Compressor. Does nice things for my drums in a mix when I dial in the attack and release. Maybe a steep learning curve maybe not but worth it IMHO.
A. Uratnik
Absoulutely amazing
I'm a big fan of Brainworx plug ins and this one is absolutely amazing. It can glue, enhance and compress the material and it looks as it sounds.
M. Carter
The Ultimate Compressor
I have never been able to achieve this type of compression before. When i really want to smack something this is what I am using!! Great investment for #engineeraudio
B. Freedom
Shadow Hills Mastering Compressor
To be honest, I was a bit sceptical about this emulation at first because it was not made by Universal Audio and does not use a lot of DSP power. Nothing but prejudices because as it turned out Brainworx made a fantastic sounding plugin with apparantly very efficient programming.
So far I have used it as mastering unit and it does an excellent job on my program material (dense electronic music including acoustic sounds). The way it grabs the music is very nice and unique. The unit enhances the material without changing it original tone but if you want to you can even add some color with the transformers. Highly recommended plugin.J. Hinson
what can i say....STRONG
I have used a lot of mastering units. I currently use Avalon 747 for my 2buss. With the Tube warmth, the incredible EQ and the very smooth compression this is my main go go.
I have been druling over the SHMC for a year now,went to Vintage King Nashville to see one. When I had to chance to do the Plugin thing I went for it. I am very happy with all the differen sounds this thing has. it is very think in sound, you know what it is when y ou hear it. I does not "pump"...and will really glue and smelt your tracks as one. Use the low pass to keep the lows virtually untouched. Cons...I would have loved to see more presets from the pros on different subjects i.e. Kick drum, Male vocal light, med, and heavy, skybluenashville.comK. Reiter
Awesome compressor for almost everything
I tried it for 14 days on a lot of things like for mastering, on busses (drums, mix) and on solo tracks: lead vocals, bass, background vocal groups, acoustic guitars, snare.... etc.
All I can say is WOW!!!!! It shines so many different sources and is very versatile. It definitely has some mojo in it - you can it very smooth or hard and aggressive and its very easy to set up - a few seconds and I have the sound that I want !!
Highly recommended!!!!!!!!!!!!!!A. Fluit
Run for the hills!
Don't try this plugin cause you'll buy it. I would put it on my bread if I could. A real beautyfier for just about anything.
J. Skiles
Shadow Hills comp
I have access to a major studio and they have one of these Shadow Hills comp. One of the studios engineers and I used the real comp on a song that I'm currently tracking there. We used it mostly on synths and violin's. Since this comp is musical it added some sweet sonic character to my tracks! I own the UAD quad card so i demoed this UAD comp at my personal studio and was amazed at how much alike they really are! So i had to buy it! Spot on UAD!
S. Frankfurt
Must Have.
Thinking of purchasing this? Stop wasting time and do it. Truly the most beneficial plug-in I've bought in a while. Don't believe it? Run the demo. I guarantee you will miss it when the demo lapses.
I am a studio owner and producer at www.scottfrankfurtstudio.com as well as the director of design at Spectrasonics. I work with precision and "character" audio all day long... this is truly a must have tool.S. Navel
2 compressor in 1
I like the sound of this plug
As I dont expect the sound of a 8000$ box to be the same as a 300$ plug
This stuff is really good and useful
The 2 compressor are different and you can achieve really different thing from drastic
to gentle and subtle compression
It s not as hard sounding as a 33609 which suite me
The output transformer is subtle but good and the side chain link is brilliant
Overall you can do a lot of think with that one
the fact that it use 5 times less process power that a LA2A and a 336009 combine is good for big mixing session
Also it s just looks great
With the new 1176 and this one you can cover a lot of thingsR. Fantini
Wonderful sounding and accurate to the hardware!
I've owned a hardware Shadow Hills Mastering Compressor for two years now and it has become an essential and amazing sounding tool for us ... I''ve AB'ed the plugin against it extensively now and it really holds up. The Optical section seems to be calibrated differently (a few clicks less on the threshold is needed to match the compression amount of the hardware unit), but once you compensate for that, it sounds dead on. $300 for multiple instances and no noise (and instant recall, and freezing) is a steal!
C. Allrich
Why The Hate?
I'm not sure why there's so much hate for this plugin in the reviews, equating it to Izotope? good god, ugh.
Look. There are certain tools for certain jobs, and writing off this compressor because it failed at whatever you attempted it on only shows lack of understanding of your appointed skills as an engineer/mixer.
Do I use this on instrument busses? vocals or guitars? Nope.
Slap this on your two-bus, and forget the presets. Set the thresholds on both compressors as needed to just "tuck" the transients back, flip the side-chain on, and flip between Nickel, Iron, and Steel to find the right "glue" for your mix. Now tell me your mix doesn't feel that bit of extra life brought to it.
This is not a plug in for heavy hands, period.C. Ross
Come out from the shadow
Hi all
I've used the hardware version on only a few projects (only purchased one a month ago) and used it mainly for mastering. The plug in is so close to the original, switching between both in the studio, in most cases it hard to tell the difference. I'm using it on the 14 day trial and no doubt Universal Audio will have an introductory price soon so someone like myself who travels a lot will have access to it on my apple laptop. I couldn't wait to try it on a track i mastered a couple of weeks ago where i had the hardware Manley Massive Passive into the Shadow Hill Compressor into a Ampex ATR102 out into the brickwall of a system 6000. Well I've done the same with the UAD-2 plugins and OMG... AMAZING. BUY IT!!
