Ampex® ATR-102 Mastering Tape Recorder
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Es ist kein Album, solange es nicht auf einer Ampex®-Bandmaschine gemastert wurde.
Das UAD Ampex ATR-102 Mastering Tape Recorder Plug-in und die LUNA Extension geben Deiner Musik den letzten "analogen Schliff", und verwandeln Deine Aufnahmen in Alben. Das ATR-102 Plug-in wurde von der Ampex Corporation vollständig authentifiziert und genießt das Vertrauen von Platin-Künstlern auf der ganzen Welt. Das ATR-102 Plug-in fängt die einzigartige Dynamik, den farbenfrohen Frequenzgang und die Bandsättigung dieses Industriestandard Ampex Geräts getreu ein.
Deinen Mixen analogen Schliff verleihen mit der beliebtesten professionellen 2-Spur-Bandmaschine, die je hergestellt wurde
Klassische Ampex-Bandsättigung, wählbare Bandtypen und Farbe nutzen, um Deinen Mix "zusammenzukleben".
Dein Audiomaterial durch den gesamten ATR-102-Schaltkreis verarbeiten, einschließlich seiner Transformatoren, Verstärker, Repro-, Sync- und Eingangspfade
Die ATR-102 LUNA Extension nutzen, um warme, analoge mit Tape gesättigte Master-Aufnahmen zu erstellen
Die populärste professionelle 2-Spur überhaupt
Mit ihrem zusammenhaltenden Klang, ihrem Punch und ihrer Fähigkeit, eine subtile bis tiefe Bandsättigung und Farbe zu erzielen, ist die ATR-102 seit 1976 eine feste Größe in den großen Aufnahme- und Mastering-Studios weltweit.
Das ATR-102 Mastering Tape Recorder Plug-in und die LUNA Extension bilden die einzigartige Dynamik, den Frequenzgang und die Sättigungseigenschaften der Original-Hardware originalgetreu nach. Von der Ampex Corporation geprüft und vollständig authentifiziert, ist der Klang des UAD ATR-102-Plug-ins praktisch nicht von seinem analogen Vorgänger zu unterscheiden.
Jetzt vollständig in das LUNA Recording System integriert
Mit dem LUNA Recording System kannst Du das Ampex ATR-102 jetzt als LUNA Extension verwenden, wobei es in die Struktur des Mischpults integriert ist, ohne dass separate Plug-in Fenster verwaltet werden müssen. Du erhältst so reichhaltige, albumtaugliche Ampex Tape-Sounds auf LUNAs Masterfader und Bussen — mit all der authentischen Dynamik, dem Frequenzgang und der Sättigungscharakteristik der Originalmaschine.
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Authentische Kalibrierungsregler und Bandtypen
Wie bei der ATR-102-Hardware kannst Du auch bei diesem Plug-in zwischen verschiedenen Signalpfaden (Input, Sync, Repro), verschiedenen Bandgeschwindigkeiten / Emphasis-EQs (NAB, CCIR, AES) und Bandformel-Kombinationen (GP9, 456, 900, 250) wählen - sogar inklusive Home-/Consumer-Tape. Du kannst auch die einstellbare Tape Delay Funktion für automatische Double-Tracking Effekte bei Gesang, Gitarren und mehr verwenden.
Grammy-winning Presets
Lass Dich von den Presets der langjährigen ATR-102-Benutzer Chuck Ainlay (Chris Botti, Mark Knopfler) Richard Dodd (Wilco, Robert Plant, Buddy Miller (Martina McBride, Emmylou Harris), Mike Poole (Keith Urban, Dolly Parton) und anderen, inspirieren. Verwende diese Presets als Ausgangspunkt und würze Deine Mixe nach Deinem Geschmack - Du wirst über den zusammenhaltenden, satten Klang staunen, der nur von einer Ampex-Bandmaschine kommen kann.
5-Minute UAD Tips
Featuring the Magnetic Tape Bundle
“I set the UAD ATR-102 exactly the way my old Ampex machine is set up, dialed in the gains, switched back and forth… and the sound is nearly identical.”
– Jacquire King (Kings of Leon, Norah Jones, Cold War Kids)
“The UAD Ampex ATR-102 is my new secret weapon in my master buss chain, giving me the secret ingredient for that extra touch of flavor.”
– Ivan Barias (Musiq Soulchild, Jill Scott, Estelle)
“The Ampex ATR-102 Mastering Tape Recorder and Studer® A800 Multichannel Tape Recorder emulations give a nice edge to bass tracks.”
– Armin Van Buuren
“The UAD Ampex ATR-102 tape emulation really captures the hardware’s punchy saturation and chunky warmth.”
– Mike Poole (Robert Plant, Martina McBride, Buddy Miller)
“I've always used limiters and compressors on the mix bus to ‘glue’ the sound together, but I've never been able to achieve the kind of musical cohesiveness like I can with the UAD ATR-102.”
– Ryan West (Eminem, Kid Cudi, Jay-Z)
“All of the songs on the Garbage record, Not Your Kind of People were mixed with the Studer A800 plug‑in on all the drum channels. We also used the Ampex ATR-102 plug-in on the final mix.”
– Billy Bush (Garbage)
“The UAD ATR‑102 brings mixes to life with a 3D sound that no other plug-in has ever been able to achieve.”
– Adam Hawkins (Twenty One Pilots, Switchfoot, Keith Urban)Watch The Reviews
User-Rezensionen
I. Finney
15. Juli 2023
Superb Tape Mastering & Tracking
Superb tape simulation and wonderful colouration for masters and tracking. This (and the Studer A800) both saturate in a completely natural analog way. The best tape plugins I've used.
WeiterJ. Deschenes
14. Juli 2023
Should have been the first
When I first got into purchasing plugins for my Apollo, I started with a couple verbs and a delay, API/Neve preamp, SSL bus...
WeiterS. Jackson
10. Juli 2023
Must have plug-in for final touches on your track!!!
This plugin glues everything together so perfectly. I couldn’t imagine not using this on final mix from now on. This and the...
WeiterJ. Whitfield
1. Juli 2023
Honestly incredible...
As a artist that is grateful that I have the ability to very thoroughly produce my own records, I've been obsessed with the idea...
WeiterA. Buonazia
10. Juni 2023
un plug in unico
per il mastering è un prodotto assolutamente di qualità e imprescindibile in ogni produizione
Weiter -
User-Rezensionen
Ampex® ATR-102 Mastering Tape Recorder
F. Hasan
MUST HAVE TAPE PLUGIN!!!!
you will not regret to buy it, ever!!!
I. Finney
Superb Tape Mastering & Tracking
Superb tape simulation and wonderful colouration for masters and tracking. This (and the Studer A800) both saturate in a completely natural analog way. The best tape plugins I've used.
J. Deschenes
Should have been the first
When I first got into purchasing plugins for my Apollo, I started with a couple verbs and a delay, API/Neve preamp, SSL bus compressor etc. I thought that I would eventually get around to a tape sim, but they were pricey for what I thought they did. When Oxide came out, I grabbed it in a sale and figured it would be good enough for tracking, and it was especially considering the low price. Fast forward to virus lockdowns when I had time to archive old multitrack recordings into digital from a loaned tape machine. I fell in love with the color, and warm compression that I had forgotten about. I promptly loaded up the ATR-102 demo, and swapped out the Oxide on all tracks of some recent material, and BAMMM! There it was. It was on sale. It should have been the first. It makes everything sound warmer, more harmonic. Lustrous. The oxide still has its place. I can crank it for more of an effect that is quite enjoyable.
S. Jackson
Must have plug-in for final touches on your track!!!
This plugin glues everything together so perfectly. I couldn’t imagine not using this on final mix from now on. This and the Studer A800 together is mind blowing.
O. Viamontes
Never knew tape saturation would be so crystal clear
Before I used to have the eight 800 in my master bus, just to give it some energy, but this takes it out of the park, never thought that these presets would be so amazing on the master bus chain. Thank you.UAD for a wonderful emulation.
J. Whitfield
Honestly incredible...
As a artist that is grateful that I have the ability to very thoroughly produce my own records, I've been obsessed with the idea of recording to tape for some years now. On my mixbus, to help the vibe when producing, I've always kept stereo-imaging plugins and a bus compressor. I demo'd the ATR and put it on my mix bus and im literally never turning back. The depth, tone, width, space, feel, energy that it gives a record is unreal. it doesnt sound like the real thing as evident by the shootout with Fab Dupont but until i can get to the real one, this is beyond amazing for my workflow and sound. I cant wait to bring this new project to the world with these new tools.
A. Buonazia
un plug in unico
per il mastering è un prodotto assolutamente di qualità e imprescindibile in ogni produizione
Y. Darma
No small talk
The best for mastering
S. Ramsay
That extra polish on the master
Really helps give it that last bit of warmth and polish on the master track. Use it on every song now!
S. Ramsay
That extra polish on the master
Really helps give it that last bit of warmth and polish on the master track. Use it on every song now!
R. Williams
Magic
Adds a true analog tone and excitement to a record!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
D. Going
Very pleased!
Really helps all the elements gel in a mix and unlike a lot of other tape plugins I've used it doesn't sound overly vintage-y if you don't need it to
L. Cipriani
Good but with problems
The plugin sounds very good but most of the time, when reopening saved projects, the right channel has a significant drop in volume even with linked channels. I always have to slightly touch both "record" level and "reproduce" level to get back to normal functioning. Very annoying. Too many times I had to (re)bounce final mixes due to this problem. Without mentioning even worse problems when you have the plugin on the master channel and you keep mixing not realising you are working with an unbalanced stereo image. You can imagine.
A. Rosell
Magic
Adds tons of flavor to any tracks or buses! Enormously versatile
in sound and performance and it does the trick to get that extra analog sound I'm looking for!M. Hui
Love Tape Sound, But Hated the Hassle
Must say this is one of the reasons why I chose UAD as my interface system and use Luna as my DAW. Analog Tape and the machines like the Ampex ATR and studer sound great but I sure don’t miss the real thing. They are heavy, expensive, you needed to align, print tones if it’s going to another studio, tape was $200 a reel and no indie band could afford tape so I reused house tape at 15ips. I never even heard what 30ips sounded like. I hated owning tape recorders but you cannot deny the sound of it. I hated every emulation plug-in until now. I get all the tape sound benefits without all the hassle and the beauty of all this is you can use it natively now too.
M. Leo
Great also as a mixbus EQ
On top of everything else that's already been said about this plug in, sometimes I will use the shelves just to shape the high and low end of a mix. Especially the high end. Great way to brighten things up. A little goes a long way and depending on your bias and other settings it's easy to over do and land in shrill territory but at the same time you can lift quite a bit. Also good to sometimes go down to 3.75in for some sort of lo-fi effects and sound design.
A. Rosario
The Best Tape Compressor
My songs sound professional thanks to this ATR.
A. Rosario
The Best Tape Compressor
My songs sound professional thanks to this ATR.
