Teletronix® LA-3A Audio Leveler
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Das Refresh für einen legendären elektro-optischen Solid State Kompressor.
Wenn Du die sanfte optische Kompression des Teletronix LA-2A mit der Solid State Klarheit und dem Punch des UA 1176 verschmelzen würdest, hättest Du den Teletronix LA-3A - einen "Geheimwaffen"-Kompressor mit einem einzigartigen Charakter, der in der Lage ist, Klänge direkt ganz nach vorne in Deine Lautsprecher zu bringen.
Jetzt mit verbesserten User Interface Grafiken und klanglichen Ausstattungsmerkmalen, nimmt der aufgefrischte Teletronix LA-3A Audio Leveler für UAD-Hardware und Apollo Interfaces seinen rechtmäßigen Platz entlang der Säulen der klassischen Kompressionshardware ein.Jetzt kannst Du:
● Ganz einfach Signale formen mit dem definitiven Solid-State optischen Kompressor
● Energie und Obertöne zu Gesang und Akustikgitarren hinzufügen.
● Snare Drums aus dem Mix herausstechen lassen
● Körnung und Textur zu Bass Gitarre und Soft Synths hinzufügen
● Deine Sounds weiter formen mit dem neuen HF Emphasis Sidechain-Filter und parallelem Dry/Wet Mix
● Mit Artist Presets mixen von Mark Needham (Imagine Dragons, Fleetwood Mac), Damian Taylor (Björk, The Prodigy), und Eric J Dubowsky (Flume, Odesza) und weiteren
Geschichte des LA-3A
Der Teletronix LA-3A Audio Leveler feierte sein Debüt auf der AES-Show 1969 in NY und markierte die Abkehr vom Röhrendesign des Teletronix LA-2A. Der LA-3A enthielt Komponenten und Designkonzepte von UA's Solid State betriebenen 1176N Limiting Amplifiers und machte sich gleichzeitig das optische Kompressionsdesign des LA-2A zunutze, was dem LA-3A seinen eigenen unverwechselbaren Klang und seine erweiterte Vielseitigkeit verlieh.
Ein erwiesener Gewinner
Der LA-3A wurde sofort als Studio-Arbeitstier gefeiert und ist auch heute noch weit verbreitet. Ingenieure und Produzenten auf der ganzen Welt favorisieren den LA-3A wegen seiner einzigartigen Kompressionseigenschaften und seiner klanglichen Signatur. Das Teletronix LA-3A Audio Leveler Plug-in wurde nach einem Gerät aus der Vintage-Kollektion von UA gemodelt und fängt die seltene Hardware originalgetreu ein. Es entfaltet seine magische Wirkung bei Vocals, Gitarren und sogar Schlagzeug.
Neue moderne Features
Durch Hinzufügen des originalen HF Emphasis Sidechain-Filters der Hardware kannst Du jetzt ganz einfach das Teletronix LA-3A Plug-in nutzen, um Deinen Drum-Bus punchiger zu machen, ohne den Threshold des Kompressors mit der Kick Drum zu triggern. Darüber hinaus kannst Du mit einem neuen Dry/Wet-Mix-Regler problemlos parallele Kompression auf einem Instrumentenbus hinzufügen und so Deine Produktionen mit der legendären Teletronix LA-3A-Attitüde würzen.
“The Teletronix LA‑3A plug-in adds juicy, chewy tone to vocals, bringing them forward in a relaxed, yet commanding way. ”
– Damian Taylor (Björk, The Prodigy, The Killers)
“I love the updated Teletronix LA‑3A Audio Leveler plug-in. It's a top contender for not just tracks and auxes, but my stereo bus as well. And with the new sidechain filter, it's even more useful.”
– Jeff Balding (Taylor Swift, The Eagles, Dan+Shay)
“The UAD LA-3A plug-in is one of our favorite sound design tools. We use it to destroy reverb tails for interesting atmospheric effects.”
– The Glitch Mob
“The Teletronix LA‑3A plug-in gives you smooth optical compression, but with the aggression of a transistor circuit. It's perfect for shaping rock vocals, acoustic guitars, even orchestral instruments.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“I love the Teletronix LA‑3A's compression on electric and acoustic guitars and background vocals. Now I can love it all over again with a beautiful new interface!”
– Chris Zane (Passion Pit, St. Lucia, Holy Ghost!)
“An industry standard, the Teletronix LA‑3A plug-in will make guitars pop, level out bass, and do it all with the vintage tone of the original.”
– Richard Chycki (Rush, Aerosmith, Dream Theater)
“The LA‑3A plug-in has a sort of liquid buoyancy that I like, especially on guitars and vocals. ”
– Chuck Zwicky (Prince, Soul Asylum, Reggie Watts)User-Rezensionen
E. Shacham
16. Mai 2022
very transparent and usefull -
a lot of times I want to use copm/limiter and regret due to the additional characteristics that influence the sound 2 much. the L3A is like looking in a mirror. WYSIWYG with additional...
WeiterA. ikuma
16. April 2022
The advantage is that there is no color.
"Compression without color" can be easily used for various tracks while having a sense of saturation. The advantage is that there is no color. LA-3A has a natural compression and...
WeiterY. Zolberg
19. Januar 2022
Crystal clear!
I use it toglue a guitars grp. But I'm sure it would be great for snare as well and other things.
WeiterC. Jones
16. Januar 2022
Hi quality
Smooth those curves! Superb at pushing sounds through the mix.
WeiterL. Petersen
16. Januar 2022
Very good
This is a very good product. Surprisingly versatile. I use it a lot on guitars.
WeiterK. Oforha
13. Januar 2022
Ah! That Tone!
Worked like magic immediately I placed it onto my vocal chain, everything just came alive. Since then it's been set as a default plugin on my console. Oh! And the presets are also...
Weiter -
Merkmale:
Definitiver Solid State optischer Kompressor mit LA-2A Gain Reduction und 1176 Klarheit und Punch
LA-3A Audio Leveler-Plug-in, gemodelt von einem Gerät aus UA's Vintage Studio-Equipment Sammlung
Einfach zu bedienende und einzigartige Autoformer T4 Gain Reduction, die für eine Vielzahl von Soundquellen nützlich ist.
Einfache Gain- und Peak Reduction-Bedienelemente mit Compession oder Limiting
Erweiterte Funktionen umfassen den originalen High Frequency Emphasis-Filter und rein digitale Dry/Wet Parrallelverarbeitung
Enthält Artist Presets vonMark Needham (Imagine Dragons, Fleetwood Mac), Damian Taylor (Björk, The Prodigy), und Eric J Dubowsky (Flume, Odesza) und weiteren
Erfordert einen UAD-2 DSP Accelerator oder UA Audio Interface, erhältlich bei autorisierten Händlern weltweit
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User-Rezensionen
Teletronix® LA-3A Classic Audio Leveler
E. Shacham
very transparent and usefull -
a lot of times I want to use copm/limiter and regret due to the additional characteristics that influence the sound 2 much. the L3A is like looking in a mirror. WYSIWYG with additional soft warmth.
A. ikuma
The advantage is that there is no color.
"Compression without color" can be easily used for various tracks while having a sense of saturation. The advantage is that there is no color.
LA-3A has a natural compression and does not change the balance of each instrument or the mutual groove relationship.
Compared to that, the LA-2A has an impressive sound of the tube, so the track used is conspicuous. We both want to have.Y. Zolberg
Crystal clear!
I use it toglue a guitars grp. But I'm sure it would be great for snare as well and other things.
C. Jones
Hi quality
Smooth those curves! Superb at pushing sounds through the mix.
L. Petersen
Very good
This is a very good product. Surprisingly versatile. I use it a lot on guitars.
K. Oforha
Ah! That Tone!
Worked like magic immediately I placed it onto my vocal chain, everything just came alive. Since then it's been set as a default plugin on my console. Oh! And the presets are also awesome. Combined with the Neve 1073 and the Struder Tape plugins... 7th Heaven!
F. Galvano
TOP ON THE GUITAR
makes the guitar sound professional
UAD User
Great
Best la3a plugin of them all
S. Kavlentakis
Smooth and warm sound!
Excellent!!
J. Geary
Good, but not a 3A
First and foremost I love UA and get lots of mileage out of all their plugins including this one. I also appreciate the recent update with retina support and additional features ! With that being Im not sure why UA decided to model such an uncommon "golden unit" for this plugin. Compared to my OG 3A as well as a pair of DIY 3A clones the modeled T4 attack time is MUCH faster giving it a character I dont commonly associate with the 3A. (plugin is ~1.5ms while my hardware and other 3A plugins sit ~30ms) Is the plugin still useful? of course! But Id greatly appreciate the option to switch between both attack times
F. M
a thing of beauty
So many compressors, but this one is so smooth (and simple to use), and it doesn't alter the tone as much as some others do.
B. Sirijamonkul
Great Classic
Level Very nice
V. Basyul
Good stuff
Качество не передать словами!
M. Bilderbach
Super Great All Round Comp!
This was a recent add for me and its been really great. It's super musical just like an la2a is concerned but seems to be a bit more subtle. I am a huge fan!
L. Rocha
Muito bom
Fantástico compressor, bastante útil
s. donat
get update to a classic
love it on synth guitars and drums bus.. and great feature on the update
B. Tarco
shine shine
nice top end right in vocals I put this in the mostt important tracks
c. An
good
goodgoodgood
D. Murphy
A classic.
It's a classic!
h. kim
Good!!!
Good!!!
