Vintage Reverb-Effekte jenseits jeglicher anderen Stompbox.
Mit mehr als 20 Jahren an Expertise im Bereich Reverb-Modeling legt Dir UAFX Golden Reverberator ein Trio der besten legendären Reverbs direkt zu Füßen. Der röhrenbetriebene Federhall klassischer Gitarrenverstärker der 60er Jahre. Der dichte und eindringliche Klang von 50er Jahre Studio Plate-Reverbs. Das unendliche algorithmische Wunder der frühen digitalen Reverb-Hardware.
Basierend auf dem leistungsstarken UAFX Dual Engine Processing und einem noch nie dagewesenen Maß an klanglicher Authentizität ist der Golden Reverberator ein kompromissloses Flaggschiff Hallgerät, das Dich jahrzehntelang inspirieren wird.
Hol Dir den unverwechselbaren Nachhall von drei "Golden Unit" Spring Reverb Tanks, die von klassischen amerikanischen Gitarrenverstärkern aus den 60er Jahren stammen
Entdecke den dichten, eindringlichen Klang von drei deutschen Studio Plate Reverbs, die aus dem The Plant Studio (Sausalito, CA) stammen
Erschaffe riesige, dreidimensionale Klangbilder mit exakten, Bit-für-Bit Vintage-Digitalhall-Algorithmen
Greife schnell auf Sounds zu mit Live/Preset-Modi und spiel mit Silent Switching und True- oder Trails-Bypass mit Spillover*
Lade zusätzliche Vintage Digital Chamber & Plate Effekte bei der Produktregistrierung herunter
Bau Dein Pedalboard rund um zeitloses UA-Design und robuste Handwerkskunst zusammen, gebaut, um jahrzehntelang zu performen
TAKE A LISTEN
Spring 65: Ein Trio authentischer Vintage Amp Reverbs
Der röhrenbetriebene Federhall klassischer amerikanischer Gitarrenverstärker aus den 60er Jahren ist ein himmlischer Klang, der seinesgleichen sucht. Aber keine zwei Federhalltanks klingen gleich. Deshalb haben wir mehr als zwei Dutzend Tanks getestet und schließlich drei magisch klingende Tanks aus einem Trio von Vintage-Amps ausgewählt und gemodelt. Im Gegensatz zu anderen Federhall-Emulationen wählte UA den Ansatz eines " vollständigen Verstärkers" und fing den einzigartigen Röhren-Clipping-Charakter jedes Hall-Schaltkreises originalgetreu ein. Das Endergebnis sind das Tropfen, Klirren, Jammern, Pfeifen und die reichen Obertöne eines authentischen röhrengetriebenen Federhalls.
Plate 140: Eine klassische Palette von reichhaltigen Studio-Plates
Der dichte, eindringliche Klang der Studio Plate Reverbs aus den späten 1950er Jahren ist ein wesentlicher Bestandteil von mehr als 60 Jahren klassischer Gitarrenaufnahmen. Die drei einzigartig gestalteten Plates des Golden Reverberator — aus dem Aufnahmestudio The Plant in Sausalito, Kalifornien stammend — umhüllen Deine Sounds mit einer schleierhaften Atmosphäre, so warm wie die Mittagssonne. Du kannst außerdem ganz einfach satte analoge Modulationswellen hinzufügen, um Textur zu erzeugen.
Hall 224: Eine Welt im Vintage-Digital-Ambiente der späten 70ern
Der in den späten 1970er Jahren eingeführte digitale Studiohall ermöglichte es progressiven Gitarristen, weiter in atmosphärische Weiten vorzudringen — und befeuerte die Platin-Pop- und Alt-Rock-Gitarrensounds der 80er, 90er und darüber hinaus. Mit dem Hall 224-Effekt des Golden Reverberators erhälst Du die exakten Bit-für-Bit-Algorithmen eines Studiohalls, mit all seinen üppigen, körnigen Trails und hypnotisierenden Modulationstexturen.
Dual Stereo Reverb Engines für grenzenlose Kreativität
Die leistungsstarke Engine des Golden Reverberators, die von Grund auf für UAFX entwickelt wurde, führt dank ihrer einzigartigen Dual-Engine Processing-Architektur separate Stereo-Instanzen jedes Reverb-Effekts aus — für unglaubliche dreidimensionale, eindringliche Klangwelten. Das Ergebnis sind komplexe, atemberaubende räumliche Texturen in Stereo und nahtlose Effektübergänge mit Trails.
Eine State-of-the-Art Stompbox
Mit modernen, leistungsstarken Funktionen wie Wandlung in Studioqualität, Dual-Processing Engines, zusätzlichen herunterladbaren Effekten, Live/Preset-Modi, True/Buffered Bypass* mit Silent-Switching, Effekt-Trails und analogem Dry-Through verströmt der Golden Reverberator pure Hall-Perfektion — in einer wunderschönen Stompbox, die gebaut wurde, um jahrzehntelang zu performen.
Watch the Reviews
“UAFX pedals have truly recreated classic analog effects of the past, and made them better.”
– Butch Walker (Green Day, Weezer, Taylor Swift)
“I have a lot of old pedals. UAFX pedals give me all those classic sounds, without the hassles.”
– Dave Cobb (Rival Sons, Chris Stapleton, Sturgill Simpson)
“UAFX pedals sound amazing. They're instant inspiration with the right amount of tweakability.”
– Lyle Workman (Beck, Sting)Bitte beachte, dass der Golden Reverberator ein modernes isoliertes 400-mA-Netzteil benötigt (separat erhältlich). Klick hier für Netzeil-Empfehlungen.
28. August 2022
Sounds fantastic, but...
I bought this pedal because I consider UA's reverbs in particular to be ingenious. Unfortunately, my absolute favorite algorithm is not (yet) on board: the EMT-250, if UA could still...Weiter
7. Juli 2022
Can do modulated ambient tones as well
Echoing the other reviewers here, the algos are best in class. To get a classic Vangelis sound crank up the bass knob to taste on the 224 hall setting, as the bass and treble controls...Weiter
15. Juni 2022
Best at what it does. This pedal doesn't do extreme reverbs like some of the expensive Strymon pedals, but it smokes all other digital delays at emulating spring, plate, and hall verbs....Weiter
27. April 2022
A Fine Sounding Reverb Pedal
You can't go wrong with the Golden. Each reverb type in any setting sounds wonderful. It would be nice if UA released even more reverbs and also if the phone app/Bluetooth capabilities were...Weiter
17. April 2022
Brilliant in every way
Lush on vocals and acoustic guitar! Routing thru the radial J 48 to your Apollo and it’s a whole other world of lush with this pedalWeiter
26. März 2022
great pedal with huge sound but lack of decay
one of the best reverb pedals, detailed and great sounding reverbs. i miss longer decays of the plate types, an updated version would be amazing with up to 30s decay i often use. also...Weiter
Flaggschiff, kompromisslose Stompbox mit dem authentischsten röhrengetriebenen Spring-, Plate- und Vintage-Digital Reverbs, die je in einem Effektpedal eingefangen wurden
Drei Golden Unit Federhalltanks, die von klassischen amerikanischen Gitarrenverstärkern der 60er Jahre entnommen wurden
Drei vintage deutsche Studio Plate Reverbs, die von The Plant (Sausalito, CA) stammen
Ein Trio von perfekten, Bit-für-Bit vintage Digitalhall-Algorithmen aus den späten 1970er Jahren
Favoriten-Preset speichern und abrufen, Silent Switching, True/Buffered Bypass und Spillover/Trails*
Analoger Dry-Through, Stereo-/Doppelmono-Betrieb und verfügbare Modulation bei jedem Effekt
Kostenloser Hall 224 Chamber & Plate Vintage Digital Reverb-Effekt, herunterladbar bei Registrierung
App does not pair with pedal
I am very disappointed so far with UA and the Golden Reverberator. Like anyone else when you receive a guitar pedal you're excited to plug in and play. I was disappointed when the on button would not work. I realized I have to download an app to pair with the pedal. I downloaded the app for Android and have tried numerous times to have it pair with the pedal and pressing the pair button on the back of the pedal; yet the app does not find the pedal. I called for support, which is not available on Friday, another disappointment. Nothing more disappointing than paying $400 for pedal and not being able to use it and not getting some support. I'll wait to see if this can be resolved easily. If not I'll be returning the UA Golden Reverberator and buy a reverb unit from one of their competitors.
Sounds fantastic, but...
I bought this pedal because I consider UA's reverbs in particular to be ingenious. Unfortunately, my absolute favorite algorithm is not (yet) on board: the EMT-250, if UA could still implement it, it would be my absolute dream pedal. But instead of this, the Plate 140 actually does a really good job too (I like it even better than the plugin).
From the sound, you will not find anything that sounds more authentic than this pedal, as far as all the algorithms built in so far. It just sounds absolutely fantastic!
Unfortunately, the number of presets you can save is limited to 2, which makes the pedal less flexible than necessary. In addition, the Bluetooth connection to the mobile app is also anything but reliable, so this also does not remedy the situation here.
But the sound...yes, this sound it somehow makes up for everything, I haven't had so much fun listening to the reverb of my guitar decaying in a long time. And that's exactly why I still give 5 stars.
Can do modulated ambient tones as well
Echoing the other reviewers here, the algos are best in class. To get a classic Vangelis sound crank up the bass knob to taste on the 224 hall setting, as the bass and treble controls aren't eq's on the original 224. The eq knobs control the lengths of the high and low frequency decays, as well as the main decay knob. Play around with these, then turn up the mod knob and you too can replicant.
Best at what it does. This pedal doesn't do extreme reverbs like some of the expensive Strymon pedals, but it smokes all other digital delays at emulating spring, plate, and hall verbs.
A Fine Sounding Reverb Pedal
You can't go wrong with the Golden. Each reverb type in any setting sounds wonderful. It would be nice if UA released even more reverbs and also if the phone app/Bluetooth capabilities were further developed. Capabilities such as being able to save settings on your phone app and then load them to the pedal via Bluetooth would be great. Phase reversal options, for when hooking the pedal up to two amplifiers for stereo use, etc. All in all, it's one of the best sounding reverb pedals out there.
Brilliant in every way
Lush on vocals and acoustic guitar! Routing thru the radial J 48 to your Apollo and it’s a whole other world of lush with this pedal
great pedal with huge sound but lack of decay
one of the best reverb pedals, detailed and great sounding reverbs. i miss longer decays of the plate types, an updated version would be amazing with up to 30s decay i often use. also looking ffw to the next algorithm (my wishes are quantec room simulator, lexicon 480L and AKG BX20)
Best Sounding Reverb I've Ever Heard
I am not a MIDI user, so I did not include that functionality in my review. The sounds this pedal makes are impeccable. Seriously, it is unrivaled by some of the biggest names in the pedal market today. The versatility is there, you can shape the sound you want, but the controls are not overwhelming. They really hit it on the end with the sounds in this one.
I've always been a fan of UAD plugins, so was interested to hear this new pedal and especially how it would stand up against other reverb pedals I have. I'm absolutely delighted to report that sonically it blows everything else away and is easy to use. Its also really well built and will remain part of my live rig.
Great reverb, needs midi
Wonderful reverb. Amazing sounds for vintage and traditional verbs. But, needs midi. Having only one preset is just not good enough in this day and age with so many other amazing reverbs out there.
Pretty close to perfect.
I'm very particular about reverb and have yet to find a reverb pedal that is on par with some of the plugins, Logic Pro X stock or 3rd party. UA Golden is easily the best reverb pedal I've ever used. I did however trade mine for a Strymon Flint simply because I missed having harmonic tremolo and don't have the pedal board space, power requirements and money to have a dedicated tremolo pedal at the moment. The Strymon reverb is fantastic but not quite as good as the UA Golden, if only by a hair.
Only cons I can think of is it uses an insane amount of power. If I didn't own the CIOKS/Eventide power supply made for high mA digital pedals I'm not sure what I'd do. I noticed when I using all the outputs on my power supply I'd get these strange metallic, floating tones every so often when using the preset. Honestly this is a fairly big issue in my opinion. I don't use MIDI so the lack of isn't a big deal but for $400 you'd think they'd include that. Always thought that was strange. Also not a fan of how close the jacks to each other. You're not gonna be able to use pancake patch cables with it. I had to buy new cables just for the Golden.
The profile of the pedal is nice and I like how it looks quite a bit. One of the most aesthetically pleasing pedals I've seen. Sound quality wise I think it's the best on the market but price wise you could probably get more value for the dollar elsewhere. All in all I would recommend this pedal to others but I'm not sure what good that would do because convincing someone to buy a pedal with only 3 reverb modes and no MIDI priced at $400 is a hard sell. If it was a matter of sound quality alone I'd give it a 6/5 stars. When I'm more financially stable I'll probably buy another but guitar comes second to producing for me so that'll be a while. Besides whenever I record guitar it's usually dry and I just add reverb in the DAW, usually Logic space designer or a UA reverb plugin ironically enough.
Fantastic sounds but incomplete
The Golden is a hugely powerful pedal which sounds incredible. I'm not usually a reverb user as I often find that it can sound cheesy and gets in the way, but the Golden sounds so authentic and is so adjustable, it sits so well in the guitar tone. Even for chunky rhythm stuff, it adds body and fatness rather than mush!
The pedal form factor and architecture is great but I believe it is currently underutilised. Like a hot-rod stuck in 3rd gear.
MIDI is a must for this pedal. I cannot believe that UA will not introduce it in future firmware updates. It would be incredibly powerful with midi. I would also buy the Starlight if MIDI were introduced, as I'm sure many would. Without it though, nah, the Volante wins.
The other feature that's not being fully utilised is not being able to run the 2 engines together, ie running 2 different verbs in parallel.
I also hope in the future there are some more eccentric reverbs to download.
I have faith that UA are working on maximising the potential of this series and will implement the above If not, my review is only 3 stars (a great sounding pedal but a missed opportunity and limited for live use). If it had these features already it would be 6 stars and a total bargain at the price.
Cannot register this product to my account, even contacted support no reply poor.
S. Alcorn Lobato
I so much want to like this, but . . .
This pedal has some really nice sounding reverbs, but I have two problems with it, one a possible deal breaker. The first thing I noticed was the controls. I have not yet downloaded the Lexicon plate, but I hear very little difference in decay. It would be nice if, like other plugins, the Lexicon 200, PCN and MPX series, we can control the decay independent of the one of the three chosen reverbs.
The second issue I'm having with it, and the probable deal breaker is that it changes the tone of my instrument (the pedal steel guitar). The sound loses much of its warmth when the pedal is in the signal chain (mine consisting of only the reverb and an analog delay). I give it two stars instead of one because the reverbs themselves are luscious .
Top Reverb pedal
I have used many reverbs and owned some of the best..... This is the BEST!
Best reverb I’ve ever used. Sonically it’s perfect, really perfect. Lack of midi is a downside and I really don’t understand that omission, but regardless of that it’s a wonderful pedal.
224 on the floor
Very happy with this purchase.
I always wished the UA 224 plug in could be a part of my live rig and now here it is, my own 224 on the floor!
I would’ve been happy with just one simple 224 hall choice but the plate reverb is just delicious. To have these two at my command is worth every penny. Well done UA!
I have had mine for a week or so now and absolutely love it. Im not usually a reverb sorta guy when it comes to my live rig but this had me very interested straight away as the quality of what I heard was superb. No midi no problem, never cared for it. I like a more simple approach. With quality reverb like this you don't need a space station interface.
Cracking job chaps!