Fender® '55 Tweed Deluxe
User-Rezensionen
Fender '55 Tweed Deluxe
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g. faraone
Best amps sim i've used
Hands down best amp sim i've used for the best amps ever made (fender tweed). I just wish I could run it native
J. Reinhardt
"55 DELUXE" AWESOME!
SaaWeeet! Little two-faced amp., very sweet or gritty just like the real deal - add a little delay/reverb and it's 3D; add some Tele or Gretsch with single coils it's Rockabilly time, add some humbuckers and it's Real Blues time! Very well done UA. Now please give us a 1965 Fender Super Reverb with both Normal and Vibrato Channels with Bright Switches and choice of Ceramic of Alnico Speakers - Please!
K. Kearney
Fender '55 Tweed Deluxe
That warm and fuzzy feeling!
a. kamal
Just as fartsy as the original
I own an original 57 Tweed deluxe. And yes they have been on many many recordings which I love. Staples are Kid Charlemagne, Neil Young’s sound, Etc…..all over. I use mine a lot for recording. Funnily enough whenever I play through it and listen to it while playing, I always find the sound terrible, anaemic and dull….BUT then you play back what you recorded and everybody is hollering and high fiving…..well, this plug in does exactly the same. It is a truly authentic emulation. Now when my Tweed gets serviced, I can SEAMLESSLY deviate to the plug in, and once the amp is back again use the miked signal. This slightly convoluted review means to declare that the Tweed Deluxe is a temperamental but inspiring beast, which the plug emulates beautifully.
R. Shotton
Perfect tone when blended
This was the missing ingredient in my guitar tone. I just mix some of this with my miced princeton reverb and it's literally a perfect pair. Each on their own are pretty good but seriously, mix it up and you'll be happy. I imagine the negative reviews just aren't looking for a bit of tube breakup. I used a Tele with single coils so it's very different from humbuckers.
B. Blazevic
I Highly recommend it!
My new to “go to” plug-in. Clean to crunch. Everything in between. I own a real Victoria..
This is very close in dynamic response. Captures every nuance. Give it a try.
D. Wieland
Play Loud Anywhere
I am so impressed by how far these amp emulations have come. Combined with the Apollo's UAD console, it's great for practicing and recording. This amp has more presence, growl and bite than some other amp emulations that can be either a bit murky or prone to digitisation artefacts. With bit of effort you can dial-in a sound that will fool most people into thinking you were recording with a real Tweed Deluxe.
V. Vlodarchyk
Fender '55 Tweed Deluxe
Nice plug-in I recommend
M. Ferreira
Wow! It a real Fender!
It Sounds and feels great!
K. Fulford
Look elsewhere
Can't get a clean sound no matter what I try. Might work with a strat or tele but Gibson owners stay away. If you turn the instrument gain down almost all the way and the mic volume up it kinda works but still breaks up (maybe that's by design?). Really need a Fender Twin Reverb emulation on the UAD platform.
J. Walker
A Worthy Software Amp
I have a collection of vintage tube amps that I use for recording and this is the best software I’ve found to compete with the real thing. It’s better than the UA/Softube stuff (which is pretty good) and I think it’s more articulate and real sounding than both Bias and Guitar Rig. I like the interface and how it mimics the OX software. I’d like UA to make more of these amp sims - I would buy and regularly use a Blackface collection (Deluxe, Twin, etc.) as well as a tweed Bassman sim. I’d also love to see UA’s take on Marshall.
The one improvement I’d make is to add some overhead to the volume output in the mic section as it’s pretty easy to overload the inputs on my Apollos when I’m using humbuckers.
P. Bartušek
Fender
Top
P. McMillan
Pretty good emulation!
Nice range of sounds on offer, filled a gap for me on the clean side. Captures a lot of the sound if not the feel of a nice fender amp. I go to this plugin more than I do the other emulations, so I recommend it.
M. WRIGHT
Patience
Expectations are a strange thing. All sorts of tones available here, but not without approaching it like a real vintage amp. Modern gainstaging puts the details on dedicated controls, but here the details are found in the balance of input levels, channel volume and speaker choice. The I respond to the amp has as much to do with feeling as it does with sound. For a player there’s the potential for the innocent joy of discovery here.
F. Ramirez Jessen
ONE OF THE BEST SOUNDS
I had the Eleven Rack and after demoing this plugin a sold it.
A. Mouridsen
Not up to UAD standards
I love and swear by my UAD plug-ins, but for the life of me I can not get any of my amp models to sound even halfway decent. I have this one and the Marshall and I can’t even get a decent clean time out of it! Crazy unpleasant treble and ugly unnatural distortion - I’ve tried it all and it seems to simply be the sound. I love UAD, but I’d ask for my money back for this one if I could.
R. Rattanakorn
Classic Fender Tweed Sounds
Very happy with my purchase. The UAD emulation of the Fender 55’ Tweed Deluxe sounds amazing with my Fender Strat. The presets are also pretty varied. I really love playing with the plug-in through my monitors. It almost sounds like an original amp.
M. McMillan
Incredibly Musical Emulation
I picked this up and used it on a session to track guitars that needed to sound like Revolver era Beatles. I found this emulation to be incredibly flexible and musical. I love the variety of mics and mic placements, as well as the unique tonal character of the different inputs. Amazing Work UA!!!
A. Tebeleff
Great Emulation
Hard to beat emulation, not normally a fan of plugins like these
G. Craig
Even better than the real thing…
Being the recording artist, the sound engineer, mixer, mastering engineer, marketing consultant, graphic designer and distributor for a one-man show out of the home office recording studio is hard enough. Anything to streamline the process is necessary. So, I stopped mic’ing my super champ and started tracking with the UA ‘55 Tweed. The time saved is invaluable, but if the sound quality was compromised I would have gone back to the microphone and amp. I’ve sold the amp.
The tonal qualities are dead-on. The flexibility of tones is remarkable from the presets to the virtual microphone controls to the plugin’s pristine integration with the UA verb, compression and eq fx in LUNA or if you run it through Console. It’s the first amp I go to when tracking my strat or telecaster.