6176 Vintage Channel Strip
The 610 is a huge sounding pre. If not driven hard it is clean and sparkly, but crank it and it is easily pushed into a musical distortion.
For me this has been a blessing and a curse as being mainly a media composer I
spend most of the time recording myself. This means that I end up having to set the sound using headphones and I have had quite a few mishaps. The good news is that most mistakes have been happy ones with distorted electric guitar being the only thing that doesnt take well to a bit of drive from the pre.
The other problem I have had is that my vocal mic is an SE Gemini which is a valve driven beast that is much more suited to a cleaner pre as there is too much harmonic distortion going on with the 610. The tops become a bit out of control and I have to insert an EQ to calm it down.
It is nice to be able to use the pre and comp independently
The 1176 is a must have. The only drawback of it being matched with the 610 is that
they are both capable of creating a lot of dirt,so things can get a bit out of hand if you
are not paying proper attention.
Overall though I love it and have hopefully got another one on the way.
Now I know not to over valve the chain and watch the gain,everything comes out sounding great
I received my 6176 one week ago. So far I've tested it on El-guitar and Vocals. I use it to record into Logic on my Mac Pro. I think this unit really flexible and versatile. On the Pre-amp section it's a little risky to get to much distortion on the Peaks. I have own a LA-610 for a while and learned to keep the levels down before the signals gets into the Compressor section. Some claims that there is not enough headroom on the Pre-amp, but I believe they set the Level to high out from the Pre-Amp section. It's in the compressor section where this unit really shines! It can really pick out the best bite from the El-guitar, and get your vocal right "in-your-face" in the "All-Button-Mode. I can be quite smooth as well if you want to. But I prefer the LA-610 for "soft" vocals. It's definately worth the time to play around with different settings and test over and over again, because it can really sound wonderful! This unit is really Rock 'n' Roll!
Oh man!! How I love my 6176. The joy of a 610 and an 1176 together. Smashing combo!
I never expected this box to be such a versatile tone shaping unit. I almost double my mic count with certain type mics, like ribbons and some dynamics thanks to the impedance switch. And slightly compressing going in does absolute wonders to anything I put through it, everything just hits its spot in the mix.
It can be tricky to dial in at first, but once you get the hang of it... WOW !!
Love it !! Cheers UA!
I have owned the UA 6176 since 2008 and, even with a number of other preamps in the rack, this one is used on every project! The joining of the creaminess of the 610 preamp and the transparent (and when you need it, not so transparent sounds from the 1176 make this a must have for any serious studio. SOmetimes I feel as if I should purchase another for back-up...just in case!
The preamp is quite good for female voices, specially jazz singers. The compressor part has low noise but lacks a bit of the character from the original Urei units.
All I have expected and more... pretty flexible. Due to the split function you have two decent pieces of gear in one box. I'm in love.
I use this unit (I actually have two!) every time I track. Today they were used on acoustic guitars to make them sit in the track right where they needed to be. AND on a wurlitzer track to make it match up with the punch of the electric guitar. I can't imagine not having them available when I need them!
great product.. love the sound. Old school gear is now back.
When I Was Looking For A Channel Strip For My Studio.. Everyone Was Suggesting Me So Many Options. After Buying My Own UA 6176 &. Hearing Ta Sound Quality.. I Believe I Made Ta Best Decision Of My Life. UA 6176 Loving It :)