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2-610 Dual Channel Tube Preamplifier

2-610 Dual Channel Tube Preamplifier

Zweikanaliger Röhren-Preamp auf Basis der legendären UA 610 Modularkonsole.

Derzeit nicht in Europa erhältlich.

Die von Bill Putnam Sen. entwickelte UA 610 Modularkonsole ist zweifelsohne der „heilige Gral“ unter den klassischen Röhrenmischpulten. Sie hat unzähligen klassischen Aufnahmen von Ray Charles und Frank Sinatra bis hin zu legendären Titeln von Van Halen und dem Album Pet Sounds von den Beach Boys ihren Stempel aufgedrückt: Der röhrenbasierte Mikrofonvorverstärker und EQ der 610 veredeln jedes Signal, das sie durchläuft, mit seiner typisch dreidimensionalen Wärme und verleihen ihm Durchsetzungsvermögen und Druck.

Der 2-610 Dual Channel Tube Preamplifier stellt dir zwei Kanäle dieses legendären Gerätes der Musikgeschichte zur Verfügung. Egal ob du rein analog arbeitest oder den Sound Deiner digitalen Audioworkstation auf eine neue Ebene bringen möchtest – der 2-610 sorgt in jedem Recording-Projekt für den klassischen Röhrencharakter.

Jetzt kannst Du:

Mit einem zweikanaligen Vollröhren-Mikrofonvorverstärker aus der von Bill Putnam entwickelten 610 Modularkonsole aufnehmen

Über die Variable-Impedance-Schaltung und die Regler für Gain und den Ausgangspegel Röhrenwärme und Sättigung hinzufügen

Den Klang mit Hilfe des High- und Low-Shelving-EQs extrem musikalisch formen

Spuren über klassische, in den USA von Hand gefertigte UA-Schaltungen aufnehmen

Moderne Funktionen und Vintage-Sound

Moderne Funktionen und Vintage-Sound

Der 2-610 Dual Channel Tube Preamplifier basiert auf der klassischen Putnam-Konsole und erweitert diese durch vom Anwender geforderte Funktionen und ein insgesamt modernes Konzept. Mit Merkmalen wie einer erweiterten Ansprache im Top-End-Bereich und einem -15 dB Pad – sowie verbesserten Schaltungsdetails für eine höher Stabilität – eignet sich der 2-610 Preamp perfekt für jede Quelle und Musikrichtung.

Eigenschaften

Zweikanaliger Vollröhren-Mikrofonvorverstärker aus der vom legendären Bill Putnam entwickelten 610 Modularkonsole

Eingang mit variabler Impedanz, Steuerung für Gain und den Ausgangspegel

Shelving-EQ für die High- und Low-Bänder

Mikrofon-, symmetrische Line- und Hi-Z-Eingänge

Speziell gewickelte, doppelt dimensionierte Metallübertrager

-15 dB Schalter auf der Vorderseite

Verbesserte EQ-Schaltung für einen „offeneren“ Klang

Extrem rauscharmer Betrieb

Aktuelles „Silverface“-Design; verbesserte Fertigungsqualität

Von Hand in den USA gefertigt; 1 Jahr Herstellergarantie

Spezifikationen

Impedanz für Mikrofoneingang
Wählbar zwischen 500 Ω oder 2 kΩ

Impedanz für symmetrischen Line-Eingang
13,8 kΩ

Impedanz für Hi-Z-Eingang
Wählbar zwischen 2,2 MΩ oder 47 kΩ

Maximaler Mikrofoneingangspegel
+3,5 dBu

Maximaler Ausgangspegel
+20 dBm

Interne Ausgangsimpedanz
60 Ohm

Empfohlene minimale Last
600 Ohm

Frequenzgang
20 Hz bis 20 kHz, ±1 dB

Max. Gain
61 dB

Signalrauschabstand
Über 82 dB

Röhrenbestückung
(1) 12AX7A und (1) 12AT7 pro Kanal

Spannungsaufnahme
115/230 Volt

Leistungsaufnahme
30 Watt

Gewicht
5,6 kg

Abmessungen
19"B x 3,5"H x 12,25"T
(19" Gehäuse zur Rackmontage, 2 HE)

User-Rezensionen

2-610 Dual Channel Tube Preamplifier

L. Isain

11. August 2012

ES UN GRAN PREAMPLIFICADOR, EXCELENTE TIMBRE CALIDO, RUGOSO, DISTORSION ARMONICA MUY AGRADABLE, SU EQ ES EXCELENTE, SIRVE MUY BIEN CON GUITARRAS, Y LA VOZ SE GRABA CON UNA CALIDES IMPRESIONANTE, .

H. Marx

5. August 2012

Simplemente, el mejor de mis preamplificadores.
El mejor color en todas mis escenas. Marx.

E. Lara

19. Februar 2011

Hola yo tengo esta en mi estudio pero quiero sacarle el mayor provecho me pueden ayudar en como acerlo gracias

T. Luraschi

28. Dezember 2017

Best colors

One of best Preampli !!!

f. rodriguez ramirez

14. Dezember 2017

2-610 dual channel tube preamplifier

2-610 dual channel tube preamplifier

D. Savary

9. Januar 2017

Versatile, vintage, vibe, victory!

I've owned and used this dual pre-amp for quite a few years (older flat grey face). Swapped tubes out to 12ax7/ge jan 6072a combination and the sound on vocals literally brought a tear to my eye. With these tubes I've backed off using the EQ almost entirely, there's no need, just switch impedance sometimes is all I need. It's incredibly versatile, low noise, huge warmth, open airiness, and presence in the mix, especially with ribbon mics (AEA R84 Wowed) Truly anything from a SM-57/58 to Blue Condensers to sennheiser tlm 103 and $$$ points beyond that I could beg, borrow, or steal for a session or two. All sound amazing. I may sound a bit like the more glowing descriptions/write ups, but I tell you honestly with years in my rack of heavy use, bass DI, guitar amp, acoustic, drum overheads!, tone box line in, tried it all...it's all true. Hardware front end is the thing to have, plugins downstream. You might have to adjust your thinking in terms of gain structure, based on tubes used etc. as it can run towards distortion internally, but you really have to push it, and even then, the harmonics start blooming in a good way. Love this thing, many have come and gone, this one stays right here within easy reach.

T. Hinterholzinger

29. November 2016

classic warm tube sound gallore

I love the 2-610! Having a bigger power transformer, its audio performance is far superiour from the smaller packaged 610 Solos and derivates. Only the mighty M-610 is even better with its big torodial transformer! I always wanted to try a torodial as PSU for the 2-610, too, since I once read that the first prototypes had that kind of PSU. But anyhow - a 610 is a true classic. It's never harsh, it's big and warm, but never overly hughe, wooley and slow. It is just sweet. Not my first choice on drums perhaps, but on guitars and backing vocals it is just so right! Have a listen to its performance in the wonderful preamp comparisson by Lynn Fuston on his DVD "Preamps in Paradise" - those examples say it all! One of the roundes and nicest preamps out there. I own vintage 1073s, vintage RCA OP6, vintage Tridents and MCI. The UA 2-610 is the heating amongst those all. It is simply the king of warm sound (where the 1073 is the king of proximity and saturation, OP6 is the king of high gain for ribbons, Trindent is the clean overhead king, and MCI is king of male vocal thickness...).

J. Stacey

21. Juni 2016

Worth its weight in gold

Lovely sound, useful on everything, from kick drum to vocals, very musical!

Thanks to Universal Audio!

L. Mathers

1. September 2015

whoa.

Incredible tube preamp... makes every mic sound better, and the Hi-Z input makes my bass sound fantastic. Having two channels is often very useful to get a matching (or different with the EQ section), even sound. I see myself using this thing until the day I die.

A. Gorman

2. August 2015

Fantastic version of the old 610

Wonderful sounding pres bags of character. Fun to experiment with different mics and settings. Great with a 57 on guitars cranked or a U87 on vocals with the input backed off for a more open sound, and everything inbetween. Get a bit of vintage character on the front end!

W. Handzus

27. November 2014

2 610 outstanding

I have been using the pre for a year or so
,a new machine. Took me a long time to save up while using lesser quality.
Made an error investing in another less costly pre, in a hurry to record now. The other pre is a dust collector now. The 610 has 'that sound'. The eq reacts with the inductive load of my guitar pickups.
Fender and Gibson and has some reasonance,'that sound' that can be controlled easy with the knobs.
Smooth sound, no semiconductor hole flow sound. The best they had on display at the store , I would buy another if I needed 2 more channels.
I use it fairly often.not while mixing but have considered running the mix thru it just to hear what it will do. Built like a tank it'll float like a ship no leaks
Da kind, for real,Wayne

W. Handzus

27. November 2014

2 610 outstanding

I have been using the pre for a year or so
,a new machine. Took me a long time to save up while using lesser quality.
Made an error investing in another less costly pre, in a hurry to record now. The other pre is a dust collector now. The 610 has 'that sound'. The eq reacts with the inductive load of my guitar pickups.
Fender and Gibson and has some reasonance,'that sound' that can be controlled easy with the knobs.
Smooth sound, no semiconductor hole flow sound. The best they had on display at the store , I would buy another if I needed 2 more channels.
I use it fairly often.not while mixing but have considered running the mix thru it just to hear what it will do. Built like a tank it'll float like a ship no leaks
Da kind, for real,Wayne

W. Handzus

27. November 2014

2 610 outstanding

I have been using the pre for a year or so
,a new machine. Took me a long time to save up while using lesser quality.
Made an error investing in another less costly pre, in a hurry to record now. The other pre is a dust collector now. The 610 has 'that sound'. The eq reacts with the inductive load of my guitar pickups.
Fender and Gibson and has some reasonance,'that sound' that can be controlled easy with the knobs.
Smooth sound, no semiconductor hole flow sound. The best they had on display at the store , I would buy another if I needed 2 more channels.
I use it fairly often.not while mixing but have considered running the mix thru it just to hear what it will do. Built like a tank it'll float like a ship no leaks
Da kind, for real,Wayne

S. Ward

28. Oktober 2014

Vintage magic

Warm tone, useful/subtle EQ, excellent build quality, great value. My go-to preamp for nearly everything.

W. Smith,

10. Mai 2014

Clean Power

I like the fact that even though this thing has tubes the sound is clean and clear with plenty of gain and the eq is just enough to make a difference in the sound if you need it. The quarter inch hi-z guitar input also works well as a direct in with low noise that you would expect from a high end preamp. I also own 2 channels of vintage ISA 110s in a 2U custom racked chassis, a dual channel Manley pre, an Avalon 737SP, 4 channels of knock off api and 2 channels of knock off 1073 for extra thickness. The UA 610 is great on acoustic instruments. It's a more open sound than my DBX 586 pres.

P. Aaberg

28. April 2014

Indispensable

This is the only piece of gear I own (along with my grand piano) that I could never sell.
You can rate preamps on a scale between "colored" and "clear", and that's helpful, but there is something tough to describe about what the2- 610 does for sound. Yes, it's "colored", and "tube-y", but until you plug an SM-57 in it and say, "What!", like I did, you'll simply limit yourself if you limit its use. I use it with my most expensive and cheapest mics, on everything from classical piano to molten blues, and it's a champ.

H. Hamilton

6. Juni 2013

beautiful sounding preamp

I bought mine with a UAD-1 (really!) and the 1176 and LA-2A plugins. They work together to make UA sonic heaven. The balanced +10 line in is perfect for warming up tracks that were recorded straight to DAW. The ability to overdrive the input stage allows for tube tone from clean to driven. Beautiful! My only complaint is that the one I have has no pad, this has been fixed (so much for being on tehbleeding edge!).

C. Rodriguez

28. März 2013

Nice color for my recordings

When I thought in a valves preamp, the only option that crossed my mind was Universal Audio. Having the ability to test with my 2-610, corroborated that I had made ??the right choice. A warm sounding preamp, transparent, versatile for a wide range of instruments. 100% satisfied with the purchase.

J. Sanchez

11. August 2012

recording vocals excellent warm tubes, vocals Latin music and Pop

T. Angyan

9. Juli 2012

Really nice big warm tones! With Eq-s nearly to Neve 1072 velvet sound...